Blueprints Of Go Karts Free

The Black Maria

THE Pipistrel

RICARDO RODRIGUEZ

pen, color pencil.

Today

out to sweep the "Vedera" house of women, she, Pipistrela ...

This tango, written in 1933 with lyrics by Fernando Ochoa and Juan Canaro music, was released in 1956 by Tita Merello. Tita sings with grace and good suburban say that characterizes it.

Pipistrel

Music: John Canaro Lyrics: Fernando Ochoa



button the corner house,

when I go out to sweep the Vedera,

approaches me and tells me the villain:

"Pts! Pipistrela! Pts! Pipistrela! "

ar mercao I have an arena that looks at me,

which is a methane engrupido'e crioyo;

I put the 'eye' p 'up and

endemientra him a repoyo pianto.

call me Pipistrela

and I let her call;

is better to go through gila

if a is really alive.

'm a classy chick,

manye how pretty woman ...

The pint that God has given me

I have to enforce!

I'm dry as many mucamos,

cooks, buttons and guards;

I spend my life waiting

and fails ... the otario ...

I would be very vento

pa'comprarme or hat and shoe,

anapa a downtown arena

pa 'leave this leg of duck ...



reo Tango has its roots in the suburbs, emerged in the neighborhoods surrounding the River Plate cities: the suburbs.
For the tango is her muse, and his men and women are the protagonists of the stories areas that gave rise to memorable music pieces. The suburbs and downtown are polar opposites sometimes meet, clash, love and hate, like a love story.



Many expressions used in the lyrics of the song belong to slang.

Pipistrela: poor chick.

Button: police officer.

Vedera: pavement.

Tano: a person of Italian origin, especially Naples.

conceited: the man who usually overestimates him physically, morally or intellectually, in relation to others.

Mercao: market

Crioyo: Creole

Endemientra: in the meantime.

Afan: theft

Gila gullible person.

Piba: beautiful young girl.

Many: dense account.

Pinta: a person's appearance.

Otario: fool, apt to be fleeced.

Vento: money.

Coso: everyman.

Anapa: conquer.

Manga: set.

Duck: no luck.



Sources

Wikipedia

Voices and Expressions Dictionary Argentinas - Félix Coluccio

Tango. Discussion and Key - Ernesto Sabato

How To Make A Snare Trap For Coyotes

THE BLACK MARIA

Ricardo Rodíguez - Argentina

The house of women, re-open a window to let it poke the Black Maria, in the arms of his mother. Sad and true story of a life project that never was. Homero Manzi's has beautiful poetry in this Milonga-Candombe, scored by Lucio Demare.

For me, the most beautiful version of the "window" Susana Rinaldi.






On the Tango Club , Angel Yonadi, said in a vision of blackness, "This dance hall was written by Manzi in 1941, and born a fact of life, death of a daughter of a friend of the poet.


Acho Manzi points out that the Pasarelli were two brothers of Italian descent Manzi Friends Boedo bar; Sunday, "the black", was a boxer from a local club. The two brothers were the entourage that accompanied him in his political inroads, "black" Pasarelli teamed up with a mulatto woman, when I was born a girl we all celebrated, but the joy was short-lived, three days old the little death . There was no consolation, but was born in carnival and the letter does not lie. Then the poet got his inspiration, describing what happened. "

From there came this beautiful milonga.
The black population in the city of Buenos Aires was about thirty percent. One of the neighborhoods which grouped the different African ethnic groups was to Montserrat.

MARY BLACK

Milonga Candombe

Bruna bruna

born Mary

and is in the cradle.

born day,

will fortune.

embroider the mother

her long dress.

And come to the party

in a white suit

and be the queen

when Mary

meets fifteen years.

call you, Black Mary ...

Black Mary, who opened

Carnival eyes.

Big eyes will Mary

teeth pearl,

brown.

Oh, what will your lips red,

cadence oh how will your body!

Let the dance we Mary

mother black, black girls.

Black ! ... Sing for you

guitars and violins

and nagging the bandoneon.

call you, Black Mary ...

Black Mary, who opened

Carnival eyes.

Bruna bruna

Mary died

and is in the cradle.

It was day

without seeing the moon.

will cover your dream

with a white cloth.

And you go in the world

with a long dress

and ever and ever,

Black Mary, you have fifteen years.

you weep, Mary Black ...

Black Mary, you closed

Carnival eyes.

Oh how sad it was your destiny,

angel mota, dark pink!

Oh, how dark is your bed!

silence Oh what will your dream!

going to heaven , Black Mary ...

mother cries, the child sleeps.

Black ... Bleed for you

guitars and violins

and anxieties of the bandoneon.

you weep, Mary Black ...

Black Mary, you closed

Carnival eyes.

Best Airsoft Golden Desert Egale

Pipistrela

MALENA

Ricardo Rodriguez

Technique: pen on paper.

Malena, with lyrics by Homero Manzi and music by Lucio Demare, was first sung by Azucena Maizani in 1942. According to some sources, the protagonist of this tango is Argentina, Elena Tortolero, who lived in Brazil. Homer say, put the letter in an airplane, returning from Central America to Argentina, with a stopover in the country, smitten with the singer. According to Nelly Omar, great love of Homer, he wrote for her.

Acho Manzi, son of author says: Never in my house, I heard about who was Malena. Since 1942, the year he became the tango, no one thought to ask who was on reality Malena, but yes, I always knew the sense of taste and artistic qualities of my father enjoyed the poet, who only with the memory of someone who heard in his youth, was able to create the wonder that is housed within the heart of our world. You see then that the real Malena, born from the fiery memories of a boy of seventeen who revived his feelings when adult writing the verses that he dictated his mysterious profession tango lyricist. When you do not put aside the label of each of those that performed and interpreted, which also makes them masters of any personal claim, and have it deserved.

It remains the unknown, but beauty does not detract from Malena, who sings incomparably the "window" Susana Rinaldi, with that voice that could have been an inspiration to Manzi.

Source: http://www.tango-tour.com.ar/

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HOUSE WOMEN

Ricardo Rodriguez

and friends around me, high and low, beautiful and ugly. Strong but unarmed, good and bad, and some other day just tired.

Gloria Varona, Amigas

Start Today this space with the theme, Women. Women in music, dance, art, life itself.

I invite you to look out and dream, like a big house with many windows.